Sorry, We’re Closed
by Jennifer Schneider

 

Three weeks late…

 

Can you talk? It’s urgent. 

Sure, let’s meet at 2. The usual spot.

Thank you, friend.

 

Secrets shared around tiny, cluttered wood tables. Laden with initials

etched as markers of time and trust, steaming mugs of cocoa – decaf,

of course – circular plates of rectangular toast, and square pats of butter.

Nearby, glass cases protect cinnamon glazed pastries, petit-fours in pale

pinks, greens, and blues, and everything bagels with smears of chive

and onion cream cheese. Origami folded napkins stacked high. Ready.

All perfectly posed and poised for patrons, confidants, and shared secrets.

 

Public spaces

pull necessary truths

outward in shared spaces

built of security and safety.

 

Steam soaked air shields salt-soaked tears and paves a path for pure

talk. Honest voices pour over real options. Plans. Denim clad legs locked

to silence shaking knees. Brown eyes close quickly as pent up breath

releases pressing Truth: I need help. Now. A weekend away, one meant

to heal wounds and smooth scars, turned soft tissue into hard calluses.

Weak spots and weaknesses for lost laughter and sentimental talk, yield

decisions with consequences. My regular clock stopped ticking. New life beats.

 

Now I know. I am in trouble. With bills already unpaid and tempers

that flare daily, I need help. A life in fear of daily taunts, weekly affronts,

and constant slights is a life mine own but not one I choose for the life

that brews within when the capacity without is full.

 

As words whimper and fade, secret codes speak clearly. Pointer finger

taps twice for Yes. Ring finger taps once for No.

 

Code conveyed on coffee-stained napkins as speakers stream classic rock

tunes and patron chatter fuels and fires blankets that shield fresh wounds.

 

Have you told him? Yes. 

What did he say? No.

Are you sure? Yes.

I’ll go with you. 

Thank you, friend.

 

Three weeks later…

 

Can you meet? Please.

I can’t. Nor can you. 

Are you safe? Can we meet online?

Let’s try. Thank you, friend.

 

Secrets mouthed over cluttered linoleum tabletop piled high with envelopes

hosting bills overdue and pot-filled sink backdrops. Dog howls and television

talk filter through climate-controlled air. Shadows loom and linger in adjacent

room out of view – beyond reach and touch.

 

Private spaces

push necessary truths

inward in shared spaces

ripe of insecurity and fear

 

Fingers fiddle chipped coffee cup – a gift from years prior – as laptop screens

twitch and glitch. Friendly face emerges in pixelated view. Fingers lock and unlock

in solitary fashion. Seek fodder, find fear. Newfound fears simmer like the skinned potatoes that drop, then boil, on the electric stove. Naked. Alone. Words mouthed

in hushed whispers. When words endanger, secret codes speak clearly.

Right eye blinks twice for Yes. Once for No.

 

Procedures deemed no longer urgent as domains of urgency morph

into spheres set for others to determine. Appointments stalled then paused.

Now ceased. Fears of drained medical resources drain safety nets – and sanity.

Office shuttered. Governor said No.

 

Wait. What? Say that again. I can’t hear you.

Drained safety. Drained sanity. Don’t know what else to do.

 

Messages flick across digital screens. Internet connections also unstable.

Now lost. Faces freeze. Blink. Blip. Disappear. Shadows from rooms

adjacent loom larger. Closer. Close. Here.

 

Three o’clock. Today.

 

As thoughts and lives beat on – consumed with an unplanned and uncertain

future – the usual turns extraordinary and days marked by patterns etched

in previously finely tuned moves and moods – turn unpredictable, close

confidants and coffee shop camaraderie turn essential though forbidden.

 

Civil liberties in question.

Threads fray as ropes tighten.

Throats, Bellies, Hearts ache. Help.


Inspiration: Abortion Providers Ask Supreme Court to Ease Pandemic Related Ban,” Politico, April 11, 2020. 
First published on TheNewVerse.News
Image: Stuart Buck is a visual artist and award-winning poet living in North Wales. His art has been featured in several journals, as well as gracing the covers of several books. His third poetry collection, Portrait of a Man on Fire, is forthcoming from Rhythm & Bones Press in November 2020. He is the art editor for Konstellation Magazine and available for commissions all year round. He can be contacted via Twitter or E-Mail
Jen Schneider is an educator, attorney, and writer. She lives, writes, and works in small spaces throughout Philadelphia. Recent work appears in The Popular Culture Studies Journal, The New Verse News, Zingara Poetry Review, Streetlight Magazine, Chaleur Magazine, LSE Review of Books, and other literary and scholarly journals.